This series is a triptych of still lives compromised from the intense documentation & objects of that home. I printed out 44”x66” negative images of the interior of my Grans home and installed them within a set I built. Objects include things that my Gran gave me directly, like the scarves, or objects that i found that represent her aesthetic. I then would use the invert function in photoshop to bring the negative prints into positives, while simultaneously shifting the physical world into the other. I wanted the grounding point of what we perceive as “real” to fluctuate between the prints and physical objects. Inversion as a tool and concept also acts as an underlying motif for queerness, especially since the word “inversion” itself was used to mean “homosexual” in historical terms; whether I physically invert and “other” a site through still life or digitally use the invert tool, I am fascinated with the slippage of what is real and unreal, and what “belongs”.